The Fault in Our Stars

If you follow me on pretty much any other site you have already seen my posts; you already know just how excited I am about this.  I am sorry if you follow me on all these sites, and it bores you.  I'm sorry, but I am going to post about it anyway, because this is a book blog and there is no way in hell that I wouldn't post about my favorite author.

Today, January 10, 2012, is the release date of The Fault in Our Stars by John Green.  This is a date I've been waiting for for the past . . . oh . . . seven months? More?  I don't even know.  I have been waiting. And waiting. And waiting.

And now it's here.

For those of you who don't know, every single copy of the first printing is signed.  John Green individually signed every single one of the 150,000 books in the first printing plus 10,000 extras in case some were damaged.  He spent six hours a day for over a month bent over a stack of papers.  He got nerve damage in his hand and he still didn't stop.  I have never seen a better example of dedication.  Why did he do it? He did it as a thank you.  The inpour of preorders from nerdfighters across the globe was practically a phenomenon.  It happened before anyone ever saw the pitch, or the cover.  When all we knew was that it was a book, and it was John's.  Penguin looked at the thousands and thousands and thousands of fans and thought, Hmm.  I guess they really, really want it to come out, don't they?


Let's move the publishing date up three months. 


And this was John's way of saying thank you. This was his gift to his readers, this undeniable link.  Those hours spent signing and those hours we spent watching him, those hours we will spend bent over the pages of his book.  It's a promise there, between the writer and the reader.  With all the drama in this past week, so many people have forgotten that we work in partnership. We cannot exist without the other.  Authors need readers, and John Green has so much more than readers. He has a community hundreds of thousands strong that loves his writing and his ideas and just . . . him.  Because he is a brilliant author. Because he is an amazing person.

If you haven't preordered TFiOS . . . go out and buy it. Go now, before all the signatures are gone. Go and get a book, one of 160,000 signed by John Green himself so that every last reader could get at least a little piece of that writer-reader relationship to keep all for themselves.

Paper Towns

You will go to the paper towns, and you will never come back.

When Margo Roth Spiegelman beckons Quentin Jacobsen in the middle of the night—dressed like a ninja and plotting an ingenious campaign of revenge—he follows her. Margo’s always planned extravagantly, and, until now, she’s always planned solo. After a lifetime of loving Margo from afar, things are finally looking up for Q . . . until day breaks and she has vanished. Always an enigma, Margo has now become a mystery. But there are clues. And they’re for Q.

Printz Medalist John Green returns with the trademark brilliant wit and heart-stopping emotional honesty that have inspired a new generation of readers.

I think this is my favorite John Green novel yet.

I was well aware before I even started this that I would at the very least like it.  John Green's writing and characterization and dialogue are too brilliant for me to not at least like a book of his. But this was so much more fantastic than I thought it would be. It was just more.


This is one of those books where I don't want to do a really in-depth review, because I almost feel like I'm soiling the book by trying to pick it apart. No.  This is too good for that.

There are many things I loved about it: the incredible characters, the hilarious dialogue, the stunning writing that John Green gives us again and again.  The quotes that linger in your head for hours after reading them because they're just that damn good.

But what I really, truly loved about this book was the whole idea behind it.  The idea that we create paper images of those around us, and that we fall in love with these images, not the people themselves.  And that we can do our very best to understand a person, but we can never be that person. In the end, we can be no one but ourselves.

“What a treacherous thing to believe that a person is more than a person.” 


Every time I read a John Green book, I'm reminded of the fact that he's not just my favorite author because he is made of awesome. He is my favorite author because he has this way of digging straight to the core of things and exposing these truths in such a breath-taking, memorable way that they can never be forgotten.


5 stars.

Here's to you, John Green.  

Looking for Alaska

First friend. First girl. Last words.


A deeply affecting coming-of-age story, Looking for Alaska traces the journey of Miles Halter, a misfit Florida teenager who leaves the safety of home for a boarding school in Alabama and a chance to explore the "Great Perhaps." Debut novelist and NPR commentator Green perfectly captures the intensity of feeling and despair that defines adolescence in this hip, shocking, and emotionally charged work of fiction.

Miles has a quirky interest in famous people's last words, especially François Rabelais's final statement, "I go to seek a Great Perhaps." Determined not to wait for death to begin a similar quest, Miles convinces his parents to let him leave home. Once settled at Culver Creek Preparatory School, he befriends a couple of equally gifted outcasts: his roommate Chip―commonly known as the Colonel—who has a predilection for memorizing long, alphabetical lists for fun; and the beautiful and unpredictable Alaska, whom Miles comes to adore.

The kids grow closer as they make their way through a school year filled with contraband, tests, pranks, breakups, and revelations about family and life. But as the story hurtles toward its shattering climax, chapter headings like "forty-six days before" and "the last day" portend a tragic event―one that will change Miles forever and lead him to new conclusions about the value of his cherished "Great Perhaps."

This was one of those books.


One of those books where I can acknowledge that it has faults--it's his debut novel, how could it not?--, where I can acknowledge that this could've been even better than it was, yet it was so moving, so powerful, so thought-provoking and beautiful, that you ignore those faults.  It's not that you forget them; if asked, I could still produce a few things that might've been changed.  No, it's just that they don't seem significant anymore. Faults? Who cares about faults? Alaska had faults. Alaska had many faults, and that was what made her Alaska. These faults are what make this book Looking for Alaska, and its beauty and overall message are what make this a five star book. A must read. A classic.


I will leave you with this:


“Thomas Edison's last words were 'It's very beautiful over there'. I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.” 

Will Grayson, Will Grayson

It's not that far from Evanston to Naperville...


One cold night, in a most unlikely corner of Chicago, two teens—both named Will Grayson—are about to cross paths. As their worlds collide and intertwine, the Will Graysons find their lives going in new and unexpected directions, building toward romantic turns-of-heart and the epic production of history’s most fabulous high school musical.

Hilarious, poignant, and deeply insightful, John Green and David Levithan’s collaborative novel is brimming with a double helping of the heart and humor that have won both them both legions of faithful fans.

I haven't fooled myself about why I read this book now, not some later time.  Yes, I really wanted to read another John Green book. But I could've read Looking for Alaska or Paper Towns.  No, I read this book in particular as a somewhat silly teenage rebellion against my dad, who had both expressed his disapproval of gay marriage and insulted John Green in the same discussion a week ago.  But I'm glad I read it.   I had not read any of Levithan's work prior to this, and I'd only ever read John Green's third person, so I was going into this somewhat blind.  While I didn't love it quite as much as An Abundance of Katherines, I was not disappointed.

Writing

It's interesting, seeing how writing as different as John's and David's could work together so well.  

Though it's slightly different from his third person, John's first person is still funny and smooth reading and thoughtful with excellent dialogue. It never tripped me up, and it was really easy to get lost in it as I read.

David's . . . I'm going to be honest, I thought I would hate it at first.  I mean, the capitals.  The lower case letters were murder for my OCD.  I could barely stand them. But then, as the book progressed, I slowly grew used to them. And really, they were sort of perfect for Will's character.

Also, the train-of-thought feeling his writing often has. That bugged me at first, too.  But like the capitals, it was fitting, and I got used to it. By the end of this book I could could say quite comfortably that I liked David Levithan's writing.

Good, solid writing for this one.

Characters

I'm going to cover three characters: John's Will Grayson, David's Will Grayson, and Tiny Cooper.

So, the John Green Will Grayson. I really liked him.  John Green definitely has a talent at creating characters whose narrative you can just slip into, who you can fall in love with even though they're not the typical "hawt" males of YA today.  His voice was very clear, and he almost never frustrated me, which is saying something.  I was rooting for him. I root for characters I like.

Now, David's Will Grayson. Similarly to the writing, I thought I was going to hate him at first.  He was just so angry and depressed that I was sitting there waiting for his chapters to end.  But as the book went on, he  grew. Both the Will Graysons grew, changed, evolved.  And while I can't say I was in love with this Will Grayson by the end of the book, I understood him. And see, that's really the important thing.  I discovered this in Thirteen Reasons Why.  You don't have to like these sort of characters. They don't need your liking. You just need to understand them and why they are the way they are, and I understood this Will Grayson by the end.  That's what matters.

Finally, we come to . . . Tiny Cooper.    Some have argued that this isn't really the story of two Will Graysons, this is the story of Tiny Cooper. And they are kinda right.  Everything sort of revolves around him in a way.  This huge, hugely gay boy who acts like a child, falls in love in a flash, and, cheesy as this sounds, has a heart even bigger than his rather enormous stomach.  

Sometimes I really loved Tiny and wanted to give him a huge hug, and sometimes I wanted to slap him.  Like when he talked about Will to Gary, and then seemed almost offended that Will was offended by what he's said. Well, I know I'd certainly be offended if my friend said something like that about me. And the fact that he didn't apologize for it.  But there was something so sincere and sweet about him most of the time that's so rare these days, and that I loved.  Tiny Cooper was definitely a very well-developed character, at the least.

For the most part, the rest of the characters were very good. I really liked Jane. I think she complimented Will very well, and I like how John Green's girls are always more awesome in their personalities than their looks.

One last thing: I congratulate the two of them on keeping the characters pretty consistent throughout the chapters.  Obviously the two Will Graysons saw the characters different ways, but they were very steady throughout the book.

Both John and David have a talent with characters, and considering this novel was mostly about the characters and their journeys, that's definitely a good thing.

Plot

The thing is . . . there wasn't an exceptionally strong, overall plot.  This book was not about the plot. It was about the characters, how they interacted, how they grew, the journeys they took and where those took them.  It's about love and tolerance and truth.  Yes, I did think several of the romances happened too fast, and yes, the musical thing could've been focused on a bit more before the musical itself, but in the overall picture of this "plot," that doesn't really matter.  Because these characters changed so much and learned so much in the space of 310 pages, and that's what does matter.

Overall

I really enjoyed this book.  While it wasn't one of those books that I'd say you can't live without reading, that I will remember forever and ever, it made me laugh, it made me smile, and it made me think, and that's what I ask of in a book.

Four stars.

I'm reading a John Green book with a pizza bookmark.

I just thought this was too awesome not to share.